There Will Be Blood 2007 ★★★★★

Reviewed May 22, 2012

This review reportedly contains spoilers.
I can handle the truth.

20 Comments

  • This is one of those rare films that left a huge impression on me in it's first viewing. I need to revisit it again soon.

  • It is definitely one of the most intense cinema experiences I've had and it certainly rewards repeat viewings too.

  • Have you seen the teaser trailer for the movie The Master, his new film? I have high hopes for it because he is a excellent director of everything that he makes.

  • I have, and it looks very good. For those that haven't you can check it here - www.youtube.com/watch?v=9oZDKFoCqAw

  • The Will Be Blood is probably the single greatest American film of the last decade.

    The Master looks like it'll be yet another P.T. Anderson masterpiece.

  • It certainly does and early word of mouth seems to back that up too.

  • Richard, why specify "American"? Have other countries really done *so* much better recently than Take Shelter, Drive, The Tree of Life, Toy Story 3, Wall-E, The Wrestler, etc...?

    I'm not denying their achievements; I am simply wondering what they are (there are many which I have not seen).

  • They've certainly done much better than Drive...

    Bong Joon-ho's Memories of Murder is one that I would say is even better than There Will Be Blood.

  • Not to answer for Richard but there are plenty of great non-US films of the past couple of years from Poetry, Incendies, A Prophet, Diving Bell and the Butterfly, Hunger, Mary and Max, Animal Kingdom, Snowtown, A City of Life and Death to name but a small selection.

  • The Tree of Life, Toy Story 3, Wall-E, Take Shelter, and The Wrestler are hard to beat, though.

  • Most of the truly great ones I've seen have come out of (South-)Korea, such as Spring, Summer, Fall, Winter... and Spring, 3-Iron, Oasis, Poetry, Mother, JSA: Joint Security Area, and Taegukgi.

  • South Korea does make some bad-ass films...though none that I would consider to be masterpieces, or even 5-star films.

    Adam, most of what you mentioned are very much heavy art-house dramas...not my preferred style. The ones I have seen are good, but significantly lack replay value. Emotions are great, but if that's all there is, I can't see wanting to return any time soon. Personally, I need some entertaining external factor, and most of those heavy, art-house dramas simply don't have that, which is why I cannot and will not compare them to the true American greats - because they don't compare. Even Hunger, which may be my favorite recent foreign film behind Shame, is terribly unfocused. Shame got it right, and told a unified story that was entertaining and emotional, and because of that, I love it.

    Added Poetry to the Netflix instant queue. I'll give it a shot this weekend.

  • PS: Thanks for the recommendations, Richard and Adam.

    PPS: Can't agree with you about Drive, Richard. It's one of my favorite movies ever. :)

  • You're welcome! Here's hoping we'll see some 5-star reviews! ;-)

    I liked Drive a lot, but was definitely underwhelmed. I guess my expectations were too high. I should give the Blu-ray a second spin.

  • Thanks for your review, Adam, it gave me a lot to think about. Also, thanks for that trailer, can't wait to see The Master. :)

  • Believe me, Richard...my expectations were higher than yours. I was a Drive fan since I read the 122-page screenplay back in September of 2010. The movie is very different, and I enjoyed it even more than the script. I definitely recommend another shot at the movie. It's amazing.

  • Excellent review Adam. I love this site because we get to have people write reviews that don't need to be in a publication and so you can get into details and don't need to spell out everything for a readership. I didn't notice the fact that Eli pours three drinks... I also NEVER noticed that HW was in a suitcase in the train scene. I can't tell you how much this excites me. After watching the film so many times to find out even more to look at is a treasure.

    I think after watching the Master, and reading every interview I can get with PTA, these movies have a lot of similarities. Especially the ambiguous writing style that he employs. Somehow there is always emotion and energy, and the lines are pushing the story and characters along, but there is also so much subtext. It takes a lot of time to digest individual scenes. Anyways, thanks for the review.

  • Thanks Andrew. There are so many details in the film I've missed too and you're right about PTA, all his films demand to be watched multiple times. I'm just gutted I didn't get to see The Master on the big screen.

  • Small correction, Plainview says "that was one goddamn helluva show" to Eli after the initial sermon, not the baptism. Other than that, fantastic analysis.

  • @SriK: So he does. Thanks for the correction. I'll edit my review.

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