This is more like it. The concluding part of my afternoon double bill certainly delivers on the murkier aspects of the metropolitan police in a way that its companion All Coppers Are...failed to do.
On the surface you'd imagine 1968's The Strange Affair would be the more standard, tamer production of the two focusing as it does on Michael York's titular Strange, a fresh faced university educated and optimistic new beat bobby in a London seemingly still lit by The…
By the 1970s the media's representation of the police force had begun to accept the ugly truth. This was the decade that bid farewell to the reassuring paternal figures of Dixon of Dock Green and the squad at Z Cars and ushered in the warts and all tendencies of the similarly near forgotten Brit film The Strange Affair and shows like The Sweeney and Law and Order. Having read or heard of the increasingly widespread corruption within the force, the…
What an amazing film.
Firstly if you're a nerd for the aesthetics of film, you'll love it. The 70s setting, the Giallo references are all perfect that you don't think of it as a present day film set in the 70s, this could be a lost forgotten 70s film.
Secondly, if you're a nerd for the mechanics of film, the technology, you'll REALLY love it.
I belong in the former camp really but this film has really given…
Oh Wheatley you weird mad fucker. You're just not happy unless your audience is completely and utterly bemused are you? Just when you give us something we can all grasp easily and find palatable (albeit dark of course) in Sightseers, you go and throw up this one.
Imagine if Michael Reeves took an LSD trip when making The Witchfinder General. Think of Peter Watkins Culloden or Kevin Brownlow and Andrew Mollo's Winstanley on shrooms. Chuck in a liberal dose of…