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The Loneliest Planet 2012
While the title is a good fit for this film a more accurate one might have been Rupture. This is not just because of The Incident, which creates a rupture in the protagonists’ relationship at the halfway mark of the film, but also because of Loktev's regular use of extreme long-shots. The most obvious point of these shots relates to the official title: they show how isolated these three people are in the magisterial Georgian landscape. But they're also about…
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Zero Dark Thirty 2012
I did write a bunch of stuff but then I went and reread Vadim Rizov's notes and decided that what I'd written wasn't worth a damn.
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I Saw The Devil 2011
Rote plot twists and suspense beats turn what should be an unnerving descent into moral hell into yet another tired revenge thriller. If Kim really wanted to put his hero through a meat grinder he could have made a noir film in which the protagonist is constantly, inexorably drawn towards his fate. Instead I Saw the Devil employs constant cat and mouse set pieces where the question is less about what will be left of the hero and more about…
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Wasted on the Young 2010
Wasted on the Young, for all its deliberately overblown genre conceits, is the best observed high school set film I've seen in a long time. It's also a rare example of a piece of modern commercial cinema with a highly distinctive visual language devised with more ambitious intentions than simply creating pretty pictures. If it stumbles occasionally it is nonetheless a worthy attempt to blend "social commentary" with "genre sensationalism".
But first to the good bits. The film aims to…