I'm beginning to notice a technique that Kurosawa likes to employ: staging the actors to look towards the fourth wall. It's a hybrid of breaking the fourth wall, as the actors never directly look at us, but in all different directions as to address all of us while actually talking to a character in the story. This simultaneously develops the narrative but also creates a connection with us, furthering his aptitude to explore the human condition.
Again like my thoughts…
When you're an asshole, you lose your girlfriend.
When you lose your girlfriend, you get drunk at Harvard.
When you get drunk at Harvard, you rant on the Internet.
When you rant on the Internet, you make FaceMash.com.
When you make FaceMash.com, you crash the system.
When the system crashes, twins that row crew ask for your help (you hate crew).
When you hate crew, you steal their idea.
When you steal their idea, it becomes big.
When it becomes…
I re-watched Mud tonight to see if it could live up to my previous viewing. Much like The Place Beyond the Pines, it does add up but it actually improved. TPBTP had one of the greatest acts of the century but faltered after its first 40 minutes. Jeff Nichols’s Mud, however, doesn’t ever really falter at all – consistently great cinema.
What my re-watch showed me, was that it gets the little things right to amplify the big picture of…