There is a certain aspect to Ian Clark’s work that, upon initial (and subsequent) viewings, tends to shine a little bit brighter than the rest of the contributing factors of his films, radiating outward gracing all the individual supplementary features, benefiting each and every distinction in one way or another. And, that certain aspect happens to be patience, a serene steadfastness that seems to run underneath the other cinematic tributaries, guiding and influencing not only the narrative components of the…
This review reportedly contains spoilers. I can handle the truth.
Christopher Abbott and Cynthia Nixon do great work here.
The initial sequences of Mond's James White are difficult to get through given White's propensity for selfish dickishness and all-around piece-of-shit-being, but Mond does capitalize on this early characterization in order to magnify the behavioral shift towards maturity White takes towards the end.
I also appreciated leaving the continuance of White's newfound maturity in the air, ending the film with subtle hints towards both paths.
Often times certain films hold a special place in my heart, as I am sure the same can be said of almost everyone else. My memory of The Royal Tenenbaums involves a group of friends driving one hour (both ways) to Baltimore to catch it at the Charles Theater. At the time, that was the only way to see Wes Anderson’s newest film, since growing up in a small town in Pennsylvania, one did not have the opportunity to see…
If you're ready for 3 hours of floundering in filth, staggerstumbling through the muck and mire shitscape that is Akanar, swathed in an incomprehensible steamfog, perpetually rolling through the frame, enveloping everyone and everything...Medieval times as alien...future as past...cyclical oppression and barbarinism shot through documentarian-observer style with reportage style camerawork showcasing cultural and academic destitution where the townfolk administer ladlefulls of a lacquerlike substance over an endless array of noosehung bodies transforming the swaying corpses into public ornaments sparkling in…