This review may contain spoilers. I can handle the truth.
This is the kind of wistful auburn drama that's so easy to watch, you feel harsh pointing out everything that's wrong with it. But it's so aware of being that kind of film, to the extent that the first piece of classical music that plays from Elizabeth Olsen's mixtape gift to Josh Radnor, soundtracking his journey back out of the rosy green backwoods of Ohio, is Beethoven's 'Pastoral' symphony. It's so deeply aware of itself that this mixtape becomes the…