Don’t forget to select your favorite films!
The trouble with I Saw the Devil is that its cartoon characters do not inflict cartoon violence. The level of brutality on display might be affecting if accompanied by actual gravitas, but it’s impossible to feel deeply for any of the characters because there is so little to them.
It’s not hard to understand a man’s desire for revenge after his wife is murdered by a remorseless, barbaric killer, but the extreme shape his revenge takes would be easier to…
In Jaws: The Revenge, Ellen Brody becomes convinced that the various, oversized sharks that have tormented her family over the last twelve years are somehow associated, or organized, or something. Whether Brody is wrong or right, there’s some fun potential in the concept. However, despite going so far as to hint that she may even have some kind of psychic connection with the shark du jour, Jaws: The Revenge doesn’t commit to its lunacy, and its conclusion is the least satisfying of the series.
Remember when Nirvana exploded and every major label scrambled to sign any band they could find that was even remotely similar? Well, if The Sixth Sense is Nirvana (and given how quickly M Night Shyamalan squandered whatever goodwill his breakout hit engendered, I hesitate to draw the comparison), then The Others is Bush.
The themes, tone, essential plot points, and even the color palette are all lifted directly. To its credit, this is not immediately apparent, and the way the…
Following Steve Coogan and Rob Brydon on a week-long drive through the sights, sounds, and tastes of the northern English countryside, The Trip is equal parts tour documentary, buddy movie, and road trip flick. But more than anything, and in spite of its many laughs, it is a poignant meditation on aging.
Ostensibly playing themselves, Coogan and Brydon are a juxtaposition of insecure and self-possessed, of serious artist and happy-go-lucky entertainer. Their differences are sussed out in conversations brimming over…