Hated this one on opening day in '93, because it wasn't the Woo film I wanted. It still blows, but Wilford Brimley cuts a hell of a manly figure as he gallops around drunk, bow in hand. And it looks far more like a Woo film than I would have admitted at the time -- everything about the way it is shot and assembled screams his style. (Some of the wide lens use is just beautiful, too.)