What's up with that poster? The Hit features a Terrence Stamp who has never looked better, and they go with the Spanish girl and Hurt? Not that Hurt is the wrong way to go, I guess, but the Criterion cover is 100 times better.
On to the film, The Hit is a slow burning road trip, sort of, where Terrence Stamp gets caught up by his past as "a grass", after being effectively 10 years on the run. John Hurt…
The title must surely reference what happens when audiences fall in love with it, because the feelings of our two protagonists definitely take more time to evolve.
Anyway, this was a magnificent film, that unfortunately stops just short of being a masterpiece when Colbert and Grant no longer are on the road and Capra tries to wrap it up in a satisfying manner, only partly succeeding.
I had only seen Gable in an early pre-code and in Misfits so this…
Surely Kurt Russell will feature in nr4, right?
Too much dialogue here, and way to little of the Stath and Terry Crews. The choice to add the youngsters must surely be a studio decision as it is an awful one and detracts from the series' purpose of making us all feel nostalgic about an era where killing baddies was fun and almost harmless. Some of the action set-pieces are decent, but still.................Kellan Lutz?
Mel Gibson and Harrison Ford (you can never tell with Ford, as he's incapable of smiling, though) seem to enjoy their time, at least, I guess that's something.
They All Laughed was New Hollywood's last hurrah, but at least they went out with a bang. A bang no one heard, it seems, but as I've now seen, it did actually happen.
Peter Bogdanovich is someone I'm starting to familiarize myself with, and two films (Targets) in it's looking a lot like love.
They All Laughed is a bit hard to define, not to mention review. There's a certain element of screwball shenanigans including Ritter's slapstick, there's some caper…
The fact that so many had seen this before me, and I'd chanced a reading or two of the select reviews that pop up in my activity feed (rather vast array of ratings have occured as well), there was this lingering doubt in the back of my mind, that Gareth Evans had bit of more than he could chew this time, both when trying to flesh out what essentially was a non-existant plot in the previous, and by dragging the…
I was quite impressed by this little micro-budgeter (love that indie-horrors are having a great time of it these last couple of years) about the dystopian society left on Earth (our protagonists are in the US, of course) after a wide-spread terrorist attack involving, among other things, biological weapons that have lead to the zombie-fication of much of human civilization.
In the beginning we're introduced to a couple fending for them selves in a derelict metropolitan area. Run-ins with "infected"…
Skimmed through James Garner's back catalogue to see if I could find something to watch today, in remembrance. Hour of the Gun seemed to suit the purpose, and had Robert Ryan in it as well. Little did I know, it was to be Jason Robards (fittingly placed in the center of the poster) that would walk away with it, as Doc Holiday.
Earp, Holiday and the Clanton's are still at it at middle age, and the good guys are heavily…
"That's one of the tragedies of this life - that the men who are most in need of a beating up are always enormous."
Claudette Colbert is wonderful, and has inspired me to finally watch "It Happened One Night" this week. Thankfully so, as the rest of the cast can't hold a candle to her. McRea, though I'm a fan of his westerns, isn't really made for snappy comedy, and becomes even more wooden than usual. Mary Astor does her…
Steven Knight had proven he could handle something out of the ordinary in his debut (The Stath in a film leaning more towards drama than action if you can believe it), and here he goes even further.
Tom Hardy spending the entirety of the running time inside his car, driving from somewhere in Wales (accent confusion in abundance as Hardy's "Welsh" is a bit all over the place, and his family speaks "English") to a destination somewhere in the outskirts…
This documentary manages to juggle all the right aspects of a life lived, from the early beginnings of an aspiring journalist, via the debauched years on the shadier side of Chicago's nightlife, through the love/hate relationship with Siskel and the family life he finally got to experience in his later years right up to the inevitable end.
Steve James made a heartfelt film, with moving, funny, sad, educational and even though some participants don't come out the other side perhaps…
A detective refuses to let go of a case, long after it's become cold, to the extent he is forced to leave his job to get his final chance to uncover the truth about what happened when several dismembered bodies were found in coal plants around the country five years ago.
At times, Black Coal is a bit incoherent, and some events that seemed pretty major to me are left unexplored further. Takes a que from Korean cinema and adds…
Policeman (Ha-shoter) has been floating around in limbo since festival season in 2011 and almost counts as a 2014 release now.
The film is divided into three parts, the first is set around a member of an elite task force trying to juggle a pregnant wife, the rest of his family, his job and doing right by a dying colleague. This is by far the best part, and Yiftach Klein is great.
The second part revolves around a group of…