I'm rewatching them all again in an attempt to raise my crazed anticipation for what my buddy Cole Bradley rightly calls as potentially the greatest film of all time in Mission: Impossible - Rogue Nation.
I think I slightly underrated this though. The plot wasn't as tough on the mind this time round. The Prague scene is absolutely excellent and typically memorable Brian De Palma stuff of creating tension and delivering shocks. The end scene on the train isn't quite…
Nobody does a gormless expression quite like Antonio Fargas.
I don't mind admitting having a go in the mirror after watching this to see if I could get my jaw and mouth to resemble his in some way. I actually think I did a pretty good job of it as well. You can just go ahead and take my word for that.
There's no doubting Foxy Brown's place in film history but that didn't…
I suppose my love affair with Robert Siodmak was bound to hit a bump in the road sooner or later, but it's a testament to what a masterful director of noir he was that Criss Cross was hardly an utter disaster. It was closer than it should have been though.
The main problem I found with Criss Cross was that it never really seemed to be particularly sure what direction it wanted to…
I think I like the cut of Hans Petter Moland's jib.
The blackly comic crime stylings of the splendid A Somewhat Gentle Man are replicated to a certain extent for In Order Of Disappearance. The difference here is that the comedy is transferred from another Stellan Skarsgård weight-of-the-world riddled character pretty much wholesale to the villains of the piece.
The comedy is also a lot darker and this is, really, more of a serious…
This movie gave me anxiety about the summer and how I'm going to cope with the heat, and I'm not even shagging Kathleen Turner. FML.
Body Heat was a distraction in that the music in it, provided by John Barry, just appeared to be him remixing his soundtrack from Moonraker. All I could picture was Corinne Clery getting mauled to death by dogs and Roger Moore hurling a bloke through a grand piano.
Kicking off a bunch of sci-fi rewatches that I'll be doing to accompany my June sci-fi project with a reliable old favourite.
To be honest, each time I watch Total Recall now I wonder why it took me so long to really love it. The first few watches were confusing for some reason but once you stop being a confounded moron and realise just how simple the main plot is, the rest slots into place.
The special effects are still…
I feel like A History Of Violence is two very good films that David Cronenberg failed to make into the excellent whole it should have been.
Small town American crime thrillers always feel to me like they never really have that much room for manoeuvre. They always seem cast in the same mould. Not that that's necessarily a bad thing, I've enjoyed many of them. With A History Of Violence, Cronenberg does actually find…
There are certain directors I really like who, for one reason or another, I have barely delved into since arriving on Letterboxd.
I really like David Cronenberg. My liking of him has been wholly based on his body horror films, I have rarely delved into his films when they have not been about that kind of thing. It doesn't always work out well - eXistenZ (cor, what a pain in the arse that is…
But they do turn.
The wheels, that is. Slowly. For, you see, considering it took me so bloody long to watch my first Paul Thomas Anderson film, you would have thought it would have taken me considerably less than almost 2 years to watch another one. Especially as I adored it. No, no. That's not how things work around here.
As fantastic as I thought Hard Eight was, I still don't expect to go…
John Wick's an odd one, isn't it?
No really, it is. I cannot agree with anyone who suggests this is just a straightforward shooter because I really do think there's far more going on here than it's been given credit for in some quarters. Of course, when you boil away the excess, it is just Keanu Reeves offing hundreds of people for having his car nicked and dog murdered.
But I think it would…
What makes a 5 star film?
There are lots of different criteria floating around for what makes one. By their own admission, some people are a lot freer with dishing out such a grading whilst others insist a film practically has to become their all time favourite to receive full marks.
It is, of course, completely dependent on the individual. I've often wondered if I am quite strict or quite liberal with the amount of times I've handed out full…