After the critical and commercial success of The Descent, anticipation (and expectation) for Neil Marshall's follow-up was high.
And then it got released.
To say reaction to Doomsday was mixed would be a understatement. Critics bemoaned the excessive gore, the thinly drawn characters, the sometimes incoherent editing, and the derivative nature of the plot.
To those critics I say - piffle.
Films don't always have to be about something (although comments on human nature and hierarchies are in there if…