66/100
Park takes an elemental leap in his directorial style, showing an exceptional eye for framing and blocking (e.g., the very first scene) that I haven't seen from him before, though I have mostly liked his films in the past (with only The Tiger actually flirting with being great). Funnier than you would expect given that the nominal lead is a blank canvas whose only talent seems to be running directly from one tough spot to another (it becomes highly…