The central premise is solid: con men get dragged into an adventure, finding that what they've previously been faking is dangerously real; at which point, we find that one of them is skeptical and the other's a believer. Some of the magical events are inventive and entertaining.
It's definitely a flawed film - sometimes unclear in its storytelling, and overly broad in its humour (particularly when it comes to certain actors' accents) - but fortunately, the goodwill I have toward…
In a word: IDGI.
Whenever I watch a movie from the Critical-Consensus Classic Film Canon for the first time, I'm always afraid that it'll be like The Godfather: that I won't be able to grasp the appeal or historical innovation/influence/importance of the work, let alone fall in love with it as a piece of entertainment, and will therefore end up feeling like a complete philistine, wondering what I'm missing. But I'll know that the fault lies with me, not the…
The first time I saw most of the Bond films was when ITV showed all of them over consecutive weeks in 1999, in the run up to the release if The World is Not Enough. However, even though I videotaped OHMSS at that time, it went unwatched for several years. I really regretted that, because when it was finally viewed, it turned out to be one of my favourite of all the 007 movies.
If there are three things that…