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  • The Hunger Games: Mockingjay - Part 1 2014

    ★★ Watched 22 Nov, 2014 2

    Oh dear. I was a little wary heading into this, as I feel that Mockingjay is easily the weakest of Suzanne Collins’ trilogy, and I sighed at the decision to split it into two films. I was happy that Francis Lawrence was still in the director’s chair however, as there was a definite pace and verve to Catching Fire that was absent from The Hunger Games. The political edge was ramped up and there were more snatches of Collins’ satirical…

  • Lilting 2014

    ★★★★★ Watched 20 Nov, 2014 1

    I can’t remember the last time a film’s title was such a good description of its feel. It’s hard to put my finger on it, but there is a gentle almost haze to this beautiful film that manages to evoke nostalgia for the love felt by a mother and a lover left behind; and the subtle but very real portrayal of grief they have to deal with in the present.

    Made for a paltry £120,000, Lilting looks fantastic first off.…

  • The Two Faces of January 2014

    ★★★½ Watched 12 Nov, 2014

    Drive writer Hossein Amini’s debut film as director is a twisty adaptation of a Patricia Highsmith novel from 1964.

    Wisely keeping the period setting from the time of the novel’s publication, The Two Faces of January is about a rich con man (Viggo Mortensen) touring Greece with his young wife (Kirsten Dunst). They meet a young tour guide (Oscar Isaac) and after he aids with the clean up after a private detective is killed by Mortensen’s character they seek refuge…

  • Dead Ringers 1988

    ★★★★½ Watched 17 Nov, 2014

    In a lot of ways, Dead Ringers feels akin to David Cronenberg's recent, coldly cerebral efforts like Cosmopolis or A Dangerous Method while retaining similar themes to his more overtly horrific work like The Fly.

    Time has been kind to a film that was perhaps under-appreciated at the time. The at-the-time groundbreaking effects that depicted Jeremy Irons twins onscreen at once still look absolutely seamless. Irons has never been better with a performance of astonishing subtlety that gets across the…

  • War Horse 2011

    ★½ Watched 16 Nov, 2014

    Do you know; if I didn't know any better, I would be convinced that Spielberg actually wants us to fancy this horse. It's the only way I can explain the bizarre devotion that every human character in this sorry mess has to this creature. At the auction scenes they're practically cramming crumpled dollars into the bridle of the coquettish equine tart.

    As horses go, it's alright. It's a horse. A horse that seems to be the kiss of death and…

  • God Help the Girl 2014

    ★★★½ Watched 11 Nov, 2014

    I think my cynicism chip is starting to short-circuit as I get older. It might partly be the influence of my ex who made me a much more tolerant person in the last few years. Perhaps I'm happier generally, more relaxed with myself and my place in the world. Whatever it is, I know that a few years ago, I would have detested God Help the Girl. Now? I was really very charmed by it, despite its manifest flaws.


  • When Animals Dream 2014

    ★★★★ Watched 08 Nov, 2014

    There is something about the Scandinavian scenery that just makes it perfect for horror, and When Animals Dream utilises its setting's natural eerieness to great effect.

    Taking its visual cues from modern Scandi-noir, and filtering its horror through the existential lens of Bergman and the coming of age feel of Let the Right One In, Jonas Alexander Arnby's film is a low-key somber werewolf tale.

    Young Marie is becoming aware of her sexuality, and is also developing a rash accompanied…

  • Asmodexia 2014

    ★★★ Watched 08 Nov, 2014

    Asmodexia is a Catalan demonic possession movie with an interesting twist. Co-writer/Director Marc Carreté is co-curator of Sitges Film Festival with the film's other writer Mike Hostench, and this, his debut, was the opening film at Leeds Film Festival Day of the Dead.

    Eloy and Alba are grandfather and granddaughter who just happen to be mendicant exorcists. They traverse the outskirts of Barcelona on foot, casting out demons as they go, for the purpose of a coming resurrection, counting down…

  • What We Do in the Shadows 2014

    ★★★★★ Watched 08 Nov, 2014 2

    This was almost the dictionary definition of a crowd-pleaser, getting a highly enthusiastic round of applause from the crowd at Day of the Dead.

    Jemaine Clement and Taika Waititi's mock-doc about four vampires sharing a run-down house in Wellington, New Zealand impales all the right cliches in the vampire mythos in the same way This is Spinal Tap hits all the right notes with ludicrous, poodle-hair rock.

    Whether some major flaws will be more apparent on a rewatch remains to…

  • Zodiac 2007

    ★★★★½ Watched 06 Nov, 2014

    I thought The Killing's Sara Lund was the epitome of procedural obsession. I hadn't reckoned with the psychic pull of the elusive killer known as Zodiac, operating around the San Francisco area in the late 60's and early 70's.

    There was a self-mythologising and aggrandizing side to him that captured the public imagination and turned the brains of those investigating, not least SF Chronicle cartoonist Robert Graysmith (Jake Gyllenhaal) into an addicted griddle.

    What David Fincher does here is nothing…

  • Tusk 2014

    ½ Watched 08 Nov, 2014

    I watched this last night as the final film of the Leeds Film Festival Day of the Dead. I felt as trapped and hemmed in as Justin Long's character does when he is seen into his fate.

    At the beginning of the day, while awaiting to get into the venue I witnessed a march by the English Defence League. I can't decide what offended my sense of taste and decency more; those racist, chinless Neanderthals, Or a Kevin Smith's Tusk.…

  • Starred Up 2013

    ★★★★ Watched 05 Nov, 2014

    The hoary old prison drama has had a bit of a resurgence in the last few years. Both A Prophet and Cell 211 have done something different while operating within the usual shivs and showers cliches. Coming out swinging amongst these tasty geezers is keen as mustard newcomer Starred Up

    While A Prophet has the feel of an epic parable and Cell 211 is all high-concept tension, Starred Up is pure stripped-down grit and keenly-observed character study. It sweats authenticity.…