Imagine being omnipotent, to float above the city. Doors and walls are no obstacle. The random thoughts and insights of the city's inhabitants flit through your head like odd snatches of radio frequencies. Some are mundane in the extreme. Others stretch towards profundity, existential in the purest sense of the term.
'Why am I am me?'
You can share vicariously in their joy and, unbeknownst to them, you can lean in, place a benevolent hand on their shoulder, whisper an…
Ah, it never gets old. Still my favourite film of all time.
Audrey Tautou as Amelie is the loveliest thing possibly ever to grace the planet, and I still laughed along afresh despite this being about the 25th time I've seen it.
It's a tonic for what ails you, a life-affirming shot of sweetness with just a hint of darkness to stop it from veering towards the saccharine.
Quirky needn't be a dirty word - Amelie is quirky sure, but…
The Railway Man transcends its 'dull-but-worthy' roots purely down to the quietly intense chemistry between Colin Firth and Nicole Kidman. Their charming first flirtation on a train is pretty much the finest scene in the film.
it is only after they are married that Patti (Kidman) realises the trauma that Eric Lomax (Firth) suffered during the war at the hands of the Japanese who used the forced labour of POW's for the building of the Thai-Burma railway. The film switches…
The continuing adventures of film-watching with my Dad.
After his enjoyment of The Raid I was quick to buy this on its DVD release, having been somewhat enamoured by it at the cinema myself.
What I realised while watching it for a second time is that the first viewing had seared it into my brain indelibly. I could recall every single second, scene, punch, kick and hammer-to-the-spine. I can't remember the last time a film did that to me -…
A little imagination can breathe some life into a stale genre, and while The Borderlands isn't going to completely revitalise the found-footage movie on its own, it's certainly at the side charging the defibrillator.
Gordon Kennedy is Deacon, a Vatican investigator tasked with solving (or disproving) reports of paranormal activity at a remote reconsecrated church in the West Country. Robin Hill plays Gray, the technical whizz who supplies the cameras, which their employers insist they wear at all times. Why…
Evil and witches abound in a perfectly decent adaptation of Robert E. Howard's pulp puritan avenger.
After escaping a messenger from Hell come to collect his soul, privateer Solomon Kane (James Purefoy) retreats to a monastery and renounces all violence, hoping he can redeem himself from damnation. This being from the writer of Conan the Barbarian though, it's obvious that pacifism isn't going to quite do the trick, and sure enough our West Country crusader is soon on the vengeance…
I had no idea that a third film in Cédric Klapisch's series was in the offing until a few weeks ago. I fell in love heavily with Pot Luck and Russian Dolls about nine years ago. I was already hopelessly in love with Audrey Tautou thanks to Amelie, and the first two films also set up an abiding crush on Kelly Reilly which has survived the years.
The film ostensibly centres on the continuing life and loves of Xavier (Romain…
If you're looking for true depth and a real insight into real human relationships then Beginners probably isn't that film. It's flighty, twee wish-fulfillment. I also found it very likable - perhaps I've become more expansive and romantic in my old age. This is a movie I would have found vomit-inducing at 24. At 34 though; I'm on board.
Beginners is told in flashback over three time frames.
Oliver (Ewan McGregor) spends time with his father Hal (Christopher Plummer) after…
I'm listing The Good, The Bad, The Weird as a first-time watch as I was monumentally drunk the last time I attempted it and couldn't remember anything about it.
It is yet another stellar entry in the canon of the genre-straddling Kim Jee-woon. It's a manic Western that references (obviously) The Good, the Bad and the Ugly, Raiders of the Lost Ark and has the frenetic pace of a Loony Tunes cartoon.
The plot follows the attempts of the titular…
Love is a many splendored thing; so we are told. It is also sharp and vicious and rare is the person who can traverse it without leaving scraps of their soul behind like hanks of cloth on a barbed wire fence. It doesn’t stop us from throwing ourselves at it again, but maybe with our expectations a little dimmed and the emotional baggage a little heavier.
This is the take on the romantic comedy of Nicole Holofcener’s Enough Said. In…
I'm not at all sure that I'm fully on board with Godard. I found A bout de souflle somewhat interminable, despite the elfin beauty of Jean Seberg, and I found le Mepris somewhat maddening at the same time as I admired its structure, the self-reflexive film-within-a-film, and Bardot's arse.
I liked the opening scene where Bardot is reeling off her perfect body parts for Michel Piccoli's delectation. I took Godard's decision to shoot this scene in alternately red, natural, and…
A tight Nigel Kneale script is slightly hamstrung by some hilariously wobbly special effects in Quatermass and the Pit. Roy Ward Baker could certainly direct an action scene on a tight budget but the creepy and paranoid tone of the film is just undermined by the effects.
In all honesty however it makes it all the more fun when the actors keep their impeccable gravitas among the various bits of stuff being wobbled about on strings. The ‘Martian massacre’ scene…