"The second 'R' is silent!"
You know, they got two really fantastic new(ish)-comers for this who actually provide some really solid physical comedy work in addition to moments of spot-on impressions, and then they write and direct... this around them.
Troy Miller brings a few Mr. Show-related people over, but even that can't save the picture from being an over-directed mess - Why do we need to zoom in and see Harry's brain getting frost-bite? Why do we need…
HIIIIIIIIIIYA!!! - Billy Blanks, every time he closed-fist punches someone in the face.
The first of two Blanks n' Piper starring actioners (why is this one titled Back in Action then?) serves up a piping hot platter of face-kicks, explosions, and hilariously inept dialogue.
This Canuxploitation gem (Blanks walks around Yonge Street near Dundas looking for his sister, stopping everywhere from Sam The Record Man to Zanzibar) gives you just about everything you'd want from a movie like this, and…
Ironically enough, for a film titled Satisfaction, it doesn't really resolve any of the plot-threads it sets up.
This fluffy 80s pop-band drama-comedy pretty much resolves nothing by the end of the film as they drive off screen and out of the movie, leaving the biggest performance of the band to play over the credits.
The Sleeping Car is a goof-tastic horror comedy starring David Naughton of An American Werewolf in London fame as a recently divorced mature student who moves into a decommissioned train home - but oops, The Mister, who narrowly escaped perishing in a fornication-caused train-wreck haunts the joint!
Yes, that's what it's about for real. After a pretty hilarious set-up off the top of the film, The Sleeping Car eventually gets around to executing a few solid kills before…
Saturday Night is rough around the edges (what do you expect for a school project?), but fascinating and thorough look into the production of an episode of Saturday Night Live.
Recommended for anyone who wants to peek behind the curtain - the writing process in particular is fascinating.
Critters : Alien :: Critters 2: The Main Course : Aliens
Okay, let me explain. Critters 2: The Main Course is a bigger film - it has much more action-action than the first, way more creature effects, a wider scope, and more. In comparison, it makes the first film much more pared back, overall.
For some reason, I can't escape comparisons to films like Alien/Aliens and Terminator/Terminator 2 here. In the same way that the original films pretty much nail…
This film should be shown in every film school ever, for the rest of time.
From the same creative team that captured Seventeen, this earlier work follows their time on a low budget film called Demon Lover and the craziness that ensues. From poor actors, to muddled schedules, all the way through to a potentially deadly director armed with guns he has acquired from... Ted Nugent.
Criminally underseen, and makes a perfect double-feature with the aforementioned Seventeen.
One of the most raw and intimate documentary ever, Seventeen tracks the lives and relationships of teenagers (and their families) in Muncie, Indiana in the early eighties.
It's hilarious in moments, scary in others, but entirely essential. Not only one of the most unflinching portrayals of teenagers ever, but one of the best films about the realities of race-relations in American in the early eighties.
Phew, just remembered that I don't have to choose between thinking Interstellar was either THE WORST movie or THE BEST movie.
It's a mixed bag, and your mileage may vary. I enjoyed sifting and sorting through all "Hmm, that's neat, I liked that, hated that, ambivalent to this bit, uninterested in that one, and oh come on really?". To be honest, I can't see myself running back to it for more viewings, but we'll see.
The sentiment floating around about…
Viewed for the upcoming episode of Time Bandits Podcast.
Shades of Deadly Prey.
Snake Eater is not the action film that the poster purports it to be (if "America is just another jungle" to him, why does the whole picture take place in the jungle/woods, and not in NYC as the poster suggests!?), but rather a Backwoods Revenge film - which makes sense, as this is a Canadian production (see: Death Weekend, Bullies, Trapped, etc.)
Lorenzo Lamas stars as a…
Incredible performances, but not quite the knockout I was expecting. Still, I thoroughly enjoyed the film, aside from some qualms about the soundtrack - though I may be the only one. Nightcrawler will sink in upon multiple viewings, I believe - I can't wait to revisit it.
St. Vincent reminds me a lot of The Way Way Back, in that it's a film that I very much enjoyed taking in, despite of the fact that it's quite cliche and predictable through and through.
Watching the movie, you'll find no surprises in where it will go - in fact, the framing device of the film is so telegraphed that it is far, far beyond the point for me, personally.
I was overwhelmed by the performances here - Bill…