Damn! Thoroughly gritty and sleazy NYC based thriller finds James Brolin searching for his wrongfully-kidnapped daughter - and fending off any number of obstacles, including a crazed cop chasing him with a shotgun.
The villain is a coo-coo-creeper, who thinks he has a 'million dollar' kid, when in-fact he has kidnapped the wrong one. Mandy Patinkin shows up wonderfully as a cab driver, and the whole film features plenty of legitimate New York atmosphere - warts and all.
Definitely an overlooked thriller, and surprisingly hard-edged and unapologetic for a mainstream release.
Oh, hell yeah!
Erik Estrada stars in Enzo G. Castellari's LIGHT BLAST!
This one has it all: copious amounts of car chases and gunshot squibs, a laser-wielding mad-man who is terrorizing San Francisco and attacking large digital clocks, a ton of Indiana Jones-esque face-melting sequences, and a scene where Estrada carries cooked chicken into a hostage situation and then shoots the bad dudes with a gun hiding in said chicken.
It's all pretty much spectacular and there aren't any major luls to be found, and Castellari shoots it all in his gritty pseudo-doc street-level style which only adds to the film's charm. Recommended.
Honestly, not that bad of a movie, as far as Sparks adaptations go.
For the better part of the first half, I was wishing this movie had more of the trademark Sparks ridiculousness - because for a good chunk, it's a pretty tepid and standard romance flick executed slightly better than it usually is.
Eventually the film becomes something of a delivery service for another, more above-average flick with flashbacks involving Jack Huston and Oona Chaplin. All of this is…
Had this one on in the background while doing some writing, so some stray observations:
• Paul Walker? *checks IMDB* Oh shit, it's a super-young Paul Walker!
• Roberty Ginty. Oh, awesome.
• Pretty effective opening gun-fight.
• Actually, for an on in the background movie, this flick succeeds pretty spectacularly - every time I looked up from the computer something pretty awesome was happening throughout.
• The autopsy-to-make-her-a-cyborg scene is pretty gnarly - popping out eyeballs and stuff while…
I've seen a lot of reviews call The Great Muppet Caper over-plotted, and I can definitely see why. It feels a bit longer than it actually is, thanks to the structure.
That said, the humor and charm of the Muppets keeps this one kicking - some of my favourite Muppet gags can be found in this one, for sure. Only a few of the songs totally land, but the ones that do are fantastic.
Paper Man is a 1971 TV techno-thriller that is at once ahead of its time, and ripe for an update.
The plot centers around four students who receive a credit card in the mail, and create a fictitious identity around the name on the card using the early computer at school; I'm talkin' pre-monitors early. Soon, a gun shows upon the credit receipt - only none of them bought it. Could the computer be systematically taking these students out, or…
Listen: while this movie doesn't hold a candle to the kind of action-fests that PM ENTERTAINMENT churned out in the 90s (see: RAGE for my personal favourite), as far as late-eighties action flicks goes, this one has the goddamn goods.
When was the last time a movie made you involuntarily toss your arms in the air and clap them over your head? Because ACTION U.S.A. made me do that. One second I was watching the opening car chase, and the…
Though the Jackson-isms are alive and well in Heavenly Creatures, it's still quite the turn from Dead Alive / Braindead to this in just two years.
Had been meaning to see this one for years and years, and finally got to it - a great film. Hard one to shake, will probably be pondering this one a while (which could see it getting bumped up to 4 / 5).
Torn on a lot of elements of Furious 7 - I love the ever-heightening ridiculousness of the fims, and the transition into superhero-slash-cartoon-spy territory, but I'm not 100% sold on Wan's take here, as a director.
Some of his visual trickery works well (some tasteful slo-mo moments in fist-to-fist fight scenes was nice), but elsewhere not so much - some of his spinny-winny camera moves were just too much.
I had a big stupid grin on my face for most…
This was fine, but I couldn't help but want much more from Atari: Game Over.
At just over 60 minutes, this feels lightweight because, well, it is. A fair amount of effort is put into the creation and history of ATARI as a company (which is documented better, elsewhere) and subsequently how the E.T. game came to be.
This is all fine, and leads into the actual excavation of these cartridges.
Here is where the film should soar, but is…
Not nearly as terrible as everyone makes it out to be - but also a complete mess, too. There's something about the bizarre mixed-bag of things going on here that makes P3 oddly interesting.
While the script has major faults, it plays with mirrors in an ingenious (and entirely practical, in-camera) way.
Sure, horror films have oft-mined mirrors for spooky moments, but some of the camera set-ups in Poltergeist III are spectacular; double-hallways and reversed-dressed stand-ins are…