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standing outside of the theater telling every white woman that leaves “so messed up. i would never do that to you”
my favorite thing about the movie is that it feels like a movie. it feels like a real like, you know go to the theatre, film, movie
“Wildcats shall meet hyenas, / Goat-demons shall greet each other; / There too the lilith shall repose / And find herself a resting place,” reads Isaiah 34:14—the only biblical passage that mentions Lilith, the first wife of Adam and history’s first witch. The origins of Lilith are frequently conflated with a Mesopotamian demon named Lamashtu, as described in various ancient cuneiform texts. In these stories, Lilith takes the form of seven witches bearing seven names. These archetypal stories about women…
Spamflix is now streaming over 50 unusual and strange shorts in competition at the Court Métrange Festival!
Letterboxd correspondent Isaac Feldberg takes us inside Alice Tully Hall for the details on the 60th New York Film Festival’s opening night premiere of Noah Baumbach’s latest, starring Adam Driver and Greta Gerwig.
"Its slow pace, subtle images, and sound design make the film an exercise in seeing, in attention, in finding beauty in the ordinary."
Alone With You is available on demand and digital, and is now streaming on Shudder.
With its super-saturated color palette, tenebrous art design and electrifying soundtrack, Two Witches presents two truly terrifying conjoined tales of witchery, paranoia and terror that hark back to the gory thrills of classic Euro horrors such as Suspiria, Shock and The Beyond.
Writer-director Parker Finn's new horror feature Smile opens in theaters everywhere today. Critic Andrew Wyatt has a review:
Masking Threshold is now playing exclusively with Alamo Drafthouse in the following cities:
Anlässlich des Kinostarts haben wir uns mit der Regisseurin Regina Schilling zu ihrem neuen Film IGOR LEVIT - NO FEAR unterhalten.
The reaction to this week’s release of Andrew Dominik’s fictionalized Marilyn Monroe biopic Blonde has been one of vitriol and disgust from both audiences and critics, a backlash reminiscent of the negativity towards one of Hollywood’s most notorious NC-17 movies, Paul Verhoeven’s SHOWGIRLS.
