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probably the most remarkable thing about this film is that you really never get used to the fact that he looks like that. even in the late moments of this 137 minute film i was still jolted by occasional cuts to ben platt's puffy, doughy visage, newly horrified by his inland empire-esque facial contortions and body language that has been seen in cinema only once before: in f.w. murnau's expressionist classic nosferatu. his exaggerated hunch, hysterically twitchy hands, and latex-smooth…
Written by Jean-Gabriel Périot
Director Matías Piñeiro'a Isabella opened in select cities earlier this month, and will screen nightly this Fri - Sun at the Webster University Film Series. Critic Kayla McCulloch has a review:
Saeed Akhtar Mirza’s Naseem (1995) is a tender film dealing with a sensitive subject like communal violence without portraying bloodshed. He has an impressive portfolio comprising Salim Langde Pe Mat Ro (1989), Arvind Desai Ki Ajeeb Dastaan (1978), Mohan Joshi Haazir Ho (1984), Albert Pinto Ko Gussa Kyon Aata Hai (1980), to name just a few. When he suddenly disappeared from the scene to focus on writing books, it was a major loss for lovers of good cinema.
I just watched Our Defeats—the first time in a while….
As press screenings begin, and the official start of this year’s New York Film Festival (NYFF) is only days away, Film at Lincoln Center has dropped a tantalizing sizzle reel with some of their most anticipated offerings.
Encompassing both documentary and fiction, our music-on-film picks not only celebrate the electric magnetism of live concerts but also explore the trials and tribunals of the artists themselves.
Surveying the festival's competition for auteur cinema
É um inverno chuvoso em Hangzhou. Muzi volta para casa para o Ano Novo Chinês, onde ela desempenha seus papéis de filha, meia-irmã e namorada. Um dia, Muzi acompanha sua irmã mais nova à escola e conhece o dono de um bar local, o pai de um outro aluno. O estranho lembra um velho amigo de Muzi, despertando nela memórias de seu relacionamento com alguém que de repente desapareceu no ar. Ao mesmo tempo, seu namorado chega para uma visita…
Blind Beast is a grotesque portrait of the bizarre relationship between a blind sculptor and his captive muse, adapted from a short story from Japan’s foremost master of the macabre, Edogawa Rampo (Horrors of Malformed Men, The Black Lizard, Caterpillar).
"Critic’s Pick! Wife of a Spy is something like linear narrative perfection, with every scene perfectly calibrated." – Glenn Kenny, The New York Times
Inside an art gallery, a woman wearing gallery-issued headphones unexpectedly learns about life’s mysteries—whether she wants to or not.
