From Olivia Colman’s fraught sojourn to the Greek Isles in The Lost Daughter to Jessie Buckley’s terrifying trip up the M5 to the English countryside in Men, taking a little “me time” away from home is often the single biggest mistake any movie character could possibly make. Horror, psychological drama, comedy, mystery, rom-com; the genre hardly matters. In film, the simple act of taking a vacation is rarely the relaxing, restorative interlude one hopes that it might be, placing uneasy personalities in uncertain—even harrowing—circumstances.