This review may contain spoilers. I can handle the truth.
If I was only judging by Jamie Lee Curtis’s return to the series and John Carpenter’s return to scoring it would’ve been immaculate.
However, focus on Laurie Strode is lacking. Building an ensemble is good but it is inconsistent here. Green’s work with younger performers, who play but cameos here, is as always spot on, while Hawkins gets some nice rounding and gets a history the “New Loomis” is just that only predictably an antithesis and the podcasters in the…
