aka Cal/PJ
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F for Fake 1973
I've said it before, but this is probably the film I'd pick as my all-time favorite movie. Whether it's the fact much of the film is just Welles talking or the breathtaking editing. The fact this didn't make a splash is infuriating because so many documentaries are modeled after the same essay style (especially Michael Moore). The real highlight of the film is a gorgeous piece on authorship, with Welles speaking over dreamlike shots of Chartes cathedral. "Maybe a man's…
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