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  • Unsane



    At first the iPhone is overwhelming, even though it’s abundantly clear why things are framed and captured this way, but as things go on, and Soderbergh blends the three threads of the film together, the way the score ticks and probes, how Foy commands the screen, it’s all remarkable. And as the credits roll, seeing how brief they are, damn if it’s not amazing how this small project so deserves to be seen on the big screen.

  • Before We Vanish

    Before We Vanish


    For something that is so long happy to blend genre and probe (lol) at larger ideas it all turns out a bit too conventional, but the trip to get there and even the finale are still emotionally engaging enough and filled with more than enough visual flairs to forgive the tradition.

Popular reviews

  • The Post

    The Post


    Toothless, bland, dull, heavy handed without actually having much to say. Just Spielberg being Spielberg.

  • Son of Saul

    Son of Saul


    Still wrestling with parts of this, but my biggest hurdle is distinguishing how much I admire it and how much I actually like what the film is doing or the ideas at which it probes. The first portion I can answer pretty confidently, the visual style serving to accentuate the experience and give the viewer a closeness to Saul and his thought process, while also kind of carrying us through the film, the second portion I'm less sure about. The…