More of a good thing. There are some points towards the end where things begin to drag, but by the end, all you want is a continuation of the story. I feel astounded by the consistency of these films. Every single time, I feel like I’ve had some good laughs, learned something about the history of Europe, and learned something about myself. Really loved Coogan’s arc in this.
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A.I. Artificial Intelligence 2001
What a strange movie this is. I first saw this film at the local drive-in when I was roughly thirteen years old, and at that time, I found this movie extremely disturbing and boring. Seventeen years later, I've felt compelled to watch it again after seeing it referenced by so many critics in the past few years.
While I certainly appreciate this film for everything it does well, I still have mixed feelings about the end product. After reading a…
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Days of Heaven 1978
While I wonder if there's more focus on the visuals than the story, this is a dream I don't want to leave. The combination of Morricone's score and Wexler & Almendros' visuals make this film mesmerizing, and seeing it end is like waking up from a deep sleep. No one knows how to bring such poetic power to the natural beauty of the earth quite like Malick.
Much like Badlands, I don't know that there is a message here. Rather than trying to get us to see or hear something important, Days of Heaven makes us feel something important.
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The Passion of Joan of Arc 1928
Descriptions of this film don't do it justice. Even though it's a silent picture, Dreyer manages to build tension and dread more effectively than most film makers ever could. This movie is downright terrifying in the end, and Falconetti's performance really is one of the finest you'll ever see. Even the camerawork and cinematography, which are somewhat minimalist are breath taking, especially in last 10 minutes of the film.
I know that there's a Criterion edition that has music set to it, but honestly I can't imagine viewing this film any other way than in complete silence.