The Sentinel is a film whose flaws are numerous and varied, and yet the tone always wins out for me. The scares play on fears of loneliness, letting one's mind wander in the night when they're alone.
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The Sentinel is a film whose flaws are numerous and varied, and yet the tone always wins out for me. The scares play on fears of loneliness, letting one's mind wander in the night when they're alone.
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George Barnes' cinematography expertly pairs with Howard Bristol and Joseph B. Platt's interiors, making a beautifully cold house where the new bride feels like an outcast. She is dwarfed by massive paintings, looming doors, and the willowy letter "R" emblazoned on everything, all acting as a reminder that she'll never fit in.
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There's too much praise for Judgment at Nuremberg. It's a fundamental, landmark film that lives up to the hype established. The acting is astounding, the story is historically significant, and director Stanley Kramer keeps things concise and questioning.
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journeysinclassicfilm.com/2019/08/04/judgment-at-nuremberg-1963/