• Star Wars: The Last Jedi

    Star Wars: The Last Jedi

    ★★★★

    Should have been Hamill’s Robert Forster in Jackie Brown moment, it’s a shame.

  • Avatar: The Way of Water

    Avatar: The Way of Water

    ★★½

    Without the 3D immersion, it becomes pretty clear that there’s no there there.

  • Lost in Translation

    Lost in Translation

    ★★★★½

    Holds up!

  • The Silence of the Lambs

    The Silence of the Lambs

    ★★★★★

    One of the great films about class tbh.

  • Bend of the River

    Bend of the River

    ★★★★

    Outdoor exteriors in this one are just stunning.

  • The Night Porter

    The Night Porter

    ★★★★★

    Every face in this movie is made up like a corpse for a funeral, which is only right.

    Pair with Polanski’s Death and the Maiden if you want a long night staring off into the distance thinking about mankind’s base nature.

  • Shadows in Paradise

    Shadows in Paradise

    ★★★★½

    Need this.

  • First Blood

    First Blood

    ★★★

    Friedkin cleared with The Hunted I’m afraid. Problem for me I think is Stallone- he can sell the doe eyed innocence and sweetness that’s part of the character but can’t really work as this animalistic force of nature he’s also supposed to be.

  • Europa

    Europa

    ★★★★★

    Barbara Sukowa in this movie…I’m not saying I agree with your actions, Jean-Marc Barr, but I understand.

  • Pacifiction

    Pacifiction

    ★★★½

    At some point in the next three months, likely while blind drunk, I’m gonna shout out “I’m feeling like the white De Roller!” to the great confusion of all around me.

  • The Round-Up

    The Round-Up

    ★★★★

    Love that after it gives you all the historical context in that prologue, you are immediately thrown into the world of the prison as this alien labyrinthine space. Really struck by this film’s approach to the collective protagonist/antagonist making all the violence feel so industrial and systemic. The faces of the captors seem to rotate out entirely every 15 minutes and it appears to make zero difference.

    The long takes and wide lenses create a sense of paranoia as you…

  • Rush Hour

    Rush Hour

    ★★

    Chris Tucker was simply never meant to be in a film longer than thirty seconds at a time.