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  • Deadpool 2

    Deadpool 2

    ★★★

    You get exactly what ya sign up for with Deadpool 2, chock full of celebrity cameos, 80s pop culture references, limbs bending in all the wrong directions, and much much more. It’s just as irreverent, melodramatic, referential, and over-the-top as anyone could’ve asked for.

    You keep doing you, Ryan Reynolds. 👍🏽

  • Rebel Without a Cause

    Rebel Without a Cause

    ★★½

    Perhaps this film is important historically and culturally, but I just couldn’t get past the insufferable stupidity of both teenagers and parents in 1950s America. How the hell did anyone make it past this decade? Rebel Without A Cause is a bit too melodramatic throughout and strangely preachy in its climax for my taste, but I’m so glad this movie basically gave us Tommy Wiseau’s The Room. This is my first time seeing James Deann or Sal Minou in anything though, they both seemed promising, what a pity their careers ended so quickly.

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  • The One I Love

    The One I Love

    ★★★★

    A witty romantic tale laced with Twilight Zone/Inception type mind-fuckery. I haven't felt this good about a movie like this since Eternal Sunshine of the Spotless Mind. Much thanks for the recommendation, Edgar Wright!

  • Boyhood

    Boyhood

    ★★★★★

    On some level, Boyhood relates to practically everyone, and it is for that reason that I can proudly say that Richard Linklater has crafted what is arguably the best coming-of-age film, but unarguably a cinematic masterpiece.

    It was surprising how extensively Linklater utilized the product placement of everyday items from the 2000s to really hit the audience with wave after wave of nostalgic feelings. The aptly compiled soundtrack successfully does the same. All-throughout, the film is a perfect glimpse at…