I have misgivings about him but few directors could make a three-hour biographical drama as awe-inspiring, nerve-shredding and of such intense spectacle as Christopher Nolan. With Oppenheimer, he has delivered his most accomplished, and uncomfortably powerful, film.
This isn’t a triumphant tale of one man’s greatest achievement. It’s a reckoning with momentous and catastrophic choices. It’s those intense feelings of guilt and uncertainty blown up for the IMAX screen, a screen often centred on Cillian Murphy’s haunted expression.
I shouldn’t…