I kept wanting to scream "I DON'T CARE!" at the screen.
Jon Gunn’s THE CASE FOR CHRIST manages to accomplish what so many Christian films have failed to do. While so few of the characters found in modern Christian films ever really register as real, flesh-and-blood human beings, THE CASE FOR CHRIST is peopled with flawed, struggling characters who live in the same world as the rest of us. That combined with the investigative journalistic nature of the story, and we arrive at a film that, while certainly imperfect, is often effective and occasionally even powerful.
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47 METERS DOWN makes THE SHALLOWS look like OPEN WATER, OPEN WATER look like JAWS, and JAWS look like the absolute pinnacle of all human endeavor.