Founded in 1985 by filmmaker Richard Linklater, AFS creates life-changing opportunities for filmmakers, catalyzes Austin and Texas as a creative hub, and brings the community together around great…
AFS offers some of our anticipated programming during our period of closure via our partner’s virtual cinemas. Proceeds from the virtual ticket purchases will help sustain our programming and support our efforts to reopen the AFS Cinema.
Looking for AFS-supported films by Texas filmmakers? Visit The Lone Star Slate: austinfilm.org/lonestarslate.
We are approaching the moment we’ve all been waiting for—the summer 2021 reopening of the AFS Cinema! To get there, we need your help. Join us as we raise the funds to light up our two big screens with the classic, independent, and global films that bring the world of cinema to Austin. With your help, our community-based non-profit art house will begin its next chapter.
2021 Sundance Film Festival at Austin Film Society austinfilm.org
Critics' Year-End Lists Are Out: Watch the Best 2020 Films with Us Austin Film Society
Streamers: Family Style Programmer Stacy Brick Recommends Holiday Films Austin Film Society
Enjoy These Family Style Halloween Streaming Picks Austin Film Society
AFS Viewfinders Podcast: Precode Movies with Professor Caroline Frick Austin Film Society
AFS Lead Programmer Lars Nilsen has created a list of some very funny oddball comedies that you can stream today…
AFS Family Style Programmer's Holiday Favorites. Click on the Show Notes Button to see where these films are streaming.
Be sure to click "Read Notes" to see where each film is streamable as of publishing date
The Precode 34 34 films
Here are 34 recommended precode films - the number 34 memorializes the dark year 1934 when Hollywood's self-censorship took hold.…
For people who have seen the noir films delineated as canonical, and want to take a deeper dive into the…
Coming up on Wednesday, March 24 is the National Evening of Science on Screen. Unlike in previous years, this one takes place online. The film is the documentary hybrid THE SOCIAL DILEMMA, which is now streaming on Netflix. Here's how it works. Before next Wednesday, watch the film on Netflix, then tune in on Wednesday night to participate in a discussion about the way that social media affects your brain and nervous system with our special guest Dr. Art Markman,…
Frederick Wiseman joins us for a live Zoom Q&A about his latest nonfiction masterpiece, CITY HALL, on Nov. 15th at noon. RSVP here: austinfilm.secure.force.com/ticket/#/events/a3j1K000009JnRwQAK
Richard Linklater joins author Melissa Maerz for a conversation on Wed. Nov. 18, 2020 to celebrate the launch of her book, Alright, Alright, Alright: The Oral History of Richard Linklater’s DAZED AND CONFUSED. Learn more and get tickets to this virtual event: www.austinfilm.org/event/the-oral-history-of-dazed-and-confused-richard-linklater-in-conversation-with-melissa-maerz/
Plug: AFS Members can join us for a Discussion Club on October 27th, hosted by our Lates programmer, Jazmyne Moreno (jaz_m on LBX). RSVP here: bit.ly/34uR8uM
Belgian writer/director Harry Kumel’s lush and eccentric vampire movie DAUGHTERS OF DARKNESS is a fascinating work. This is a full-on art-horror film hybrid, with overtones of homoeroticism and camp (in its classical sense). The extraordinary Delphine Seyrig (LAST YEAR AT MARIENBAD, THE DISCREET CHARM OF THE BOURGEOSIE) plays a mysterious, ageless Countess, who drifts through the proceedings clad in silk and feathers, like a phantom of old-Hollywood glamour.
Here’s a bizarre cinematic relic that we can barely believe exists. Way back in 1971, at the International Film Festival in Belgrade, a number of the attendees were given the assignment of shooting a 3 minute magazine of film that would be edited together with the footage from the other participants, a sort of cinematic Exquisite Corpse.
This was not a new idea. It has been done before. But what makes this so special is the level of talent involved…
Last month we hosted a member-exclusive Zoom discussion with Professor Caroline Frick of the University of Texas and the invaluable Texas Archive of the Moving Image (TAMI) on the subject of the precode film THREE ON A MATCH. The following discussion covers a good deal of the history of Hollywood’s self-censoring production code, and the films made before it was strictly enforced.
We should warn you that the discussion gets into the particulars of the plot of THREE ON A…
Guest Intro by Fantastic Fest Programmer Logan Taylor: www.youtube.com/watch?v=VV2t5_aKsqI
When four young orphans—Hikari, Ikuko, Ishi, and Takemura—first meet, their parents’ bodies are being turned into dust, like fine Parmesan atop a plate of spaghetti Bolognese, and yet none of them can shed a tear. They are like zombies; devoid of all emotion. With no family, no future, no dreams, and no way to move forward, the young teens decide that the first level of this new existence involves salvaging a…
Intro by AFS LATES Programmer Jazmyne Moreno: www.youtube.com/watch?v=Ait3wNbBeAw
Watch the film here: www.austinfilm.org/virtual-screening/son-of-the-white-mare/
One of the great psychedelic masterpieces of world animation, SON OF THE WHITE MARE is a swirling, color-mad maelstrom of mythic monsters and Scythian heroes, part-Nibelungenlied, part-Yellow Submarine, lit by jagged bolts of lightning and drenched in rivers of blue, red, gold and green. A massive cosmic oak stands at the gates of the Underworld, holding seventy-seven dragons in its roots; to combat these monsters, a dazzling…