Alan Mattli’s review published on Letterboxd:
A very effective, competently crafted exercise in narrative box-checking, whose respectful spotlighting of a potent topic ("bride-robbing" and forced marriages in Kyrgyzstan) excuses the uneasy ethnographic perspective at least partially. Probably the biggest compliment I can give this is that the short format was the right choice here, as it would have been very easy to stretch this material to feature length, which would likely have dulled its emotional edge considerably.