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  • 11 Days 11 Nights: Part 1 - Fantasy Becomes Reality

    11 Days 11 Nights: Part 1 - Fantasy Becomes Reality


    11 days before his planned wedding, a man lets himself be seduced by an attractive stranger who leads him through about 1 and 1/2 weeks of intense sexual exploration - then gets back to his fiancé upon learning she was but completing a research for an upcoming book. Soft-core Italian rip-off of Adrian Lyne's "9 and 1/2 Weeks" offers moderate fun as a campy time-capsule of the 1980s. Sarah Asproon, credited as a co-writer along with Clyde Anderson (Claudio Fragasso) is in fact the name of the female protagonist (played by Jessica Moore) used as a nom de plume by Rossella Drudi.

  • Their Finest

    Their Finest


    As WWII rages and London gets bombed daily, a former copywriter applying for a much-needed job as a secretary finds herself hired as a co-writer for a government-backed war movie designed to boost the Nation's morale. Released a year before Dunkirk and The Darkest Hour, "Their Finest" nonetheless plays like a cleverly lightweight spinoff from both Nolan's and Joe Wright's pictures, showing how both the recent frontline events and Churchill's war strategies affect the people at home, all the while…

Popular reviews

  • We All Loved Each Other So Much

    We All Loved Each Other So Much


    Three war-time friends, and the girl they all fall for, live through 30 years of Italian history. Originally designed as a homage to Neorealism, a film that grew into a masterful compendium of Italian Comedy. Scola and co-writers Age and Scarpelli pack more ideas into it than most filmmakers produce in a lifetime and yet the film unfolds naturally combining sheer emotion with an accurate (and, to this day, unsurpassed) map of the way the social texture of Italy evolved after WWII. Stellar cast has never been greater. A cornerstone.

  • Hard to Be a God

    Hard to Be a God


    Hardly fathomable adaptation of Arkady and Boris Strugatsky's philosophical Sci-Fi novel lures viewers into a watching tour de force of constant, ever-changing, chaos in motion. A 3-hours, black and white exploration of decay taking place in a muddy, rainy, alien medieval planet where characters wander aimlessly, expel body fluids, and invariably get interrupted even in the most menial tasks. An extraordinary, irritatingly challenging, film experience that requires some radical film-watching commitment in order to be enjoyed.

    Previously filmed by Peter Fleischmann in 1990: