“What did you see,” you asked.
“It’s hard to say. It was wondrous. And tawdry. And heart-wrenching and absurd. And sublime.”
“What was it about?”
“It was about great love,…
“What did you see,” you asked.
“It’s hard to say. It was wondrous. And tawdry. And heart-wrenching and absurd. And sublime.”
“What was it about?”
“It was about great love,…
Brawl in Cell Block 99. Deliberate in its shot choices, minimalist in spirit. The early scenes have awkward aspects but were my favorites, with Vaughn’s divided state - extreme anger,…
*Extremely* my jam, delivering on the promise of THE BLACKCOAT’S DAUGHTER and I AM THE PRETTY THING THAT LIVES IN THE HOUSE with a genuinely unsettling 90-minute plunge into the…
Wanted to see this for two reasons, because it made the A.V. Club's list of 25 best films so far but also because it won a big script contest where…
All documentaries get three stars, + 1/2 star if they include Romero's amazing Fantastic Voyage-inspired Calgon commercial, which is like Guy Maddin working in color.
This is so low-stakes with such lazy attempts at dramatization (poor Elizabeth Rodriguez!) that you have to wonder why Moselle didn’t just make a documentary featuring the nonactors among the…
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