This feels too much like a b-movie (even if it has some budget) which, for a Evil Dead movie, it's usually the goal so there goes my first compliment.
The "message" aspect is where it lost me a bit. I'm not sure if it's on purpose but I do get the sense it goes a little too conservative narrative-wise. Like, the family going in a downward spiral after being separated from the Father Figure had an interesting start and development…
It's imensurable how much the John Wick franchise is a blessing and a breath of fresh air to the western action genre. Part of this is because not only Stahelski knows *how much* choreography matters for action pieces, he also knows how to use color. These two things alone would put any movie he does miles ahead than most mainstream blockbusters right now. But of course, this isn't even close to what truly makes this franchise great. It's also the…
The worst hangover of your life. When you loved someone so much it actually hurts you physically and you're now left alone, on that beach, thinking about the things you would have done differently.
Uma composição tão colorida e musical como um filme do Demy, mas com todo um background político sobre a globalização e o êxodo rural chinês no final do século passado. Um país completamente dividido entre pobreza e riqueza, onde a maior parte da população é seduzida pelas grandes cidades (Hong Kong sendo a principal) com todos os seus McDonald's, dinheiro sendo adquirido de forma fácil e inglês sendo aprendido por osmose. Um homem e uma mulher, ambos da mainland chinesa…
