Film PhD Student - Oxford Brookes
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The Irishman 2019
Martin Scorsese takes a deathbed confession by former Mafia hitman, Irishman Frank Sheehan (De Niro) and weaves it into what Whittaker Chambers might call, “a Tragedy of History” taking in Jimmy Hoffa, JFK and an assortment of mafia notorieties. Forrest Gump may depict a vast stretch of life but it feels like a young man’s film, vigorous and optimistic to a fault. The Irishman is an old man’s film, solemn, melancholy and full to the brim with depth.
The central…
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Hook 1991
This is perhaps Spielberg's most hated film. Not even 1941 ( in which the wunderkind director managed to botch an Ackroyd/ Belushi pairing in between Animal House and The Blues Brothers) comes in for so much hatred from critics, armchair cinema connoisseurs and even Spielberg himself, who has confessed to disliking the film in multiple interviews and, in a fascinating aside, said that while he was making the film, "the more insecure I felt about it, the bigger and more…
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Andrei Rublev 1966
Tarkovsky will take your breath away.
I've never given much thought into the subject, but I imagine this film perfectly sums up the Russian national character: the ability to suffer life's brutalities and yet endure. This Soviet film is the ultimate tribute to Russia as a country and to its people who have battled oppression for centuries. Tarkovsky uses a close and personal style with intense framing that makes the epic moments, when they happen, feel more epic than Kurosawa.…