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  • The Farewell

    The Farewell

    ★★★★½

    Or my perpetually damp eyes

    Wang’s play with translation and her subtle staging in dynamic frames imbue each interaction with that magical combination of the relatable and specific.

  • Plus One

    Plus One

    ★★★½

    The film shines when Erskine is given more screen time, highlighting how much stronger it would be if it was a true two hander. The cast and crew have a clear affection for the genre and bring just enough tongue in cheek selfawareness.

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  • The Girls on F Street

    The Girls on F Street

    ★½

    Someone is referred to as a "real butter and eggs man".

  • Get Out

    Get Out

    ★★★★½

    It's everything that's already been said. Incisive, engrossing, prescient, squirm-inducing. Who would've thought all those incredibly positive reviews would be right?