Mark Allen’s review published on Letterboxd :
As a dramatic device, The Bromance is fairly limited. There' isn't a whole lot you can do with a platonic relationship between two heterosexual men once you've established them as BFFs.
Unless, of course, your name is Phil Lord (or, um, Christopher Miller. Or both? Wow, this went sideways real fast). In which case you can have Cate Blanchett to do whatever comes to your hyperactive, joyfully imaginative mind(s) and push the concept of the bromance to - and beyond - its logical limits. The relationship between Shcmidt and Jenko is pitch perfect, not least because of the a-game performances from Channing Tatum and Jonah Hill. This is a big-budget, balls-out and downright hilarious Hollywood romance between two guys that cherishes the value of characters you understand and care about. And for a movie about undercover cops at college who shoot people and blow things up for a living, I'm as surprised as anyone that it works as well as it does.
But that's the magic of Lord & Miller: they can take the goofiest, most soulless concepts and fill them with heart and humour because they so clearly love telling entertaining stories. Shout-outs are clearly due to the 5+ screenwriters who worked on the script, but you can bet your sweet ass that the directors were all up in that thing too.
What about specifics? Well, for a a sequel that spends so much of its first act thinly veiling jibes about how rubbish and full of unnecessary spectacle most sequels are, 22 JUMP STREET pulls off both making things bigger for the sake of an inflated budget and telling a story with the same characters that isn't just a greatest hits of the first movie. That's a tough job, but they pull it off with aplomb.
But the real question you, unknown but probably attractive reader, really want answered: is it better than the first movie? Well...no. 22 couldn't beat 21 largely because it didn't have the surprise factor a Jump Street reboot actually working the original had. That said? In my book, 22 is exactly as good as the first movie. My life won't ever be changed by either of them and I'll never experience any profound revelations regarding friendship (or, for that matter, police work) from watching these movies, but they're such good company that I love them all the same.
[Actually, I might have regained some respect for Ice Cube as an artist purely because of that facial expression he delivers to Jonah Hill's character in one delicious scene.]
Oh, and it should go without saying that this film contains about 18 of the best credits gags in movie history. (But I said it anyway.)
Can't wait for 2121 JUMP STREET.