every second is captivating, hilarious, beautiful, awkward, and operatic. it’s one of the only great pieces of film art this decade and i’m completely comfortable calling it the best cronenberg i’ve seen. i am in love
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Fast Company 1979
i laughed whenever they said "funny cars" and some shots ripped but i'm glad he figured out how to combine his two loves (cars and bodies) in crash because this is completely inert. love the use of low angles, especially against the deep skies above them, but that's a flourish i've seen consistently in his work; the acting in this is straight up unbearable and I could barely finish it
