Cargo ★★★

Cargo might be a zombie-apocalypse picture – with all the stale baggage that implies – but it also draws from Cormac McCarthy’s novel The Road and Rudulph Maté’s ticking-clock noir D.O.A. (1949). Expanding on their seven-minute short from 2012, directors Ben Howlling and Yolanda Ramke begin their feature mid-Armageddon. In the Australian Outback, the middle-aged Andy (Martin Freeman) struggles to protect his wife, Kay (Susie Porter), and 1-year-old daughter from a viral zombie outbreak. Tragedy soon strikes: Kay is infected and killed, but not before biting her husband. Facing a 48-hour window until the contagion turns him into a cannibalistic ghoul, Andy is obliged to search the sparsely populated landscape for a caretaker for his child. Undeniably, Cargo is a cruel, wrenching piece of work, if frustratingly beholden to the subgenre’s tropes. Novel touches – like the Aboriginal ritual mobs that actively hunt zombies in the trackless bush – lend the film just enough flavor for it to linger.