Andrew Wyatt’s review published on Letterboxd :
Fellini, yes; but also Tati and Coppola.
A different kind of filmmaker would have included a third act turn where all the bedlam of Mexico’s class, racial, and political divides undoes this marvelous portrait of familial love and endurance. Not Cuaron.
The hype is absolutely real. Just a stunning film with so much going on in every square inch of the frame. It’s going to be studied for decades.
“I have so much to tell you.”