Ira Sachs’ portrait of a couple after 40 years together is aptly titled, capturing both Ben and George’s connection and each’s peculiarities. Late in the film, at a bar, Ben bullshits his way into free drinks, and they talk about their apartment and fidelity and old adventures. The conversation flows effortlessly, wisely scripted to illuminate two entwined lives in a matter of minutes.
Just don’t let the rich, nuanced dialogue distract you from appreciating Sachs’ framing. It’s often astonishing in…