My regards to James and Dave Franco for their incredible takes on the Tommy Wiseau and Greg Sestero we all know and love from The Room. Unfortunately, I don't have many other nice things to say about this The Disaster Artist.
This Apatow-derivative buddy comedy never felt fleshed out enough for me to suspend disbelief. I never did read the source material—Sestero's book The Disaster Artist—but I'd be shocked if this didn't over-simplify and composite the shit out of what…
There are some things to like about A Ghost Story. It is decidedly minimal and refuses to let viewers understand the mechanics of life after death; and it is decidedly prototypical in when dealing with its (living) main characters (no full names, no back stories). It jumps between sad, long shots and jokey, cartoon aesthetics kinda effortlessly. All the while, the movie remains borderline fun—probably even for kids—without seeming tired or overproduced.
Still, I ended up feeling put off by…
1. This film contributes to a future where film is a more diverse and interesting ecosystem. This is important.
2. It is visually unique and aurally surprising. It shows great range and ventures beyond the sounds and atmosphere of real life. Listen for the doorbells. Listen for the self-conscious reading styles of the performers.
3. It treats its libertarian outsiders and e-cigarette enthusiasts with seriousness. This is important.
4. Nour Mobarak's narration is reserved and incredible.
This has been compared to Lost in Translation, which is also a quiet, contemplative trip where a famous actor gets strung along, carried by hotel- and wait-staff, and those who know the local language (but in this case: Italian). What I think sets Somewhere apart from Lost is its lead’s missing sense of humour, and later on, what forces the main character to face himself and create change.
From the beginning, he humourlessly brushes off the fact that his day-to-day life is unsustainable…
This ended up being more compelling than I expected. It was simple and genuine, and just scary enough. Considering how Kristen Stewart spends much of her time in transit, tired of living in Paris, and consuming media on her phone, this had momentum and felt natural.
The film centers around "outsider" characters who believe in spiritualism, and it doesn't give their fringe beliefs a second thought. Many movies don't approach these kinds of people with respect. And then they, without…
Its practical effects really characterize its world. Misfortune lingers in every place and on every person. In some other movie the amount of pyrotechnics, work-related accidents, and sudden death might have been overkill, but in this context it was just some weird slice of life. When the credits started rolling I felt exhausted and that was nice.