Glorious and stupid. It's like Salò if the politics and the gratuitous acts had close to zero correlation and neither were particularly integral to the film (so basically the opposite of what makes that movie a masterpiece lol). I'm not even that big of a fan of the original, but to substitute the colors of that film for dull grays and browns feels horribly misguided. This film's greatest crime is being visually ugly.
A total misfire, but unlike Guadagnino’s other movies, this one fails spectacularly to the point of being morbidly enjoyable. Worth viewing for that scene alone.