Fiona Apple, Aimee Mann, Radiohead, HAIM... Paul Thomas Anderson is a man after my own damn heart. As if I needed any more reasons to worship this nerd!
I went into this film prepared to place myself on any end of the spectrum with regards to my reaction. I generally like Aronofsky (from what I’ve seen—still have not made it around to The Wrestler or Noah), and have a slightly sentimental relationship with his work, but I’d come across such a loud slew of bad buzz in my twitter/lb circle leading up to this viewing; thus, I was bracing myself for the likelihood of a very negative reaction.…
I wasn’t going to write another review of this film purely on principle, but given the astounding and baffling response to my previous (and admittedly: brief) write-up, I feel I might as well reply to the male outrage and their combative, redundant criticisms.
Despite what many commentators seem to think, I do actually understand that people might see The Neon Demon as NWR’s critique of the fashion industry (or society in general) and the way it exploits women. However, I…
A prime example of why men should not be allowed to make films about women and/or the experience of being a woman. I knew going into this that I would hate it, but it far surpassed hatred and ventured into the realm of vehement disdain and disgust.
Most of the scathing reviews I've encountered on letterboxd have adamantly addressed the problematic nature of this film so I won't bother to waste any more of my time; but suffice to say,…