An utterly immaculate piece of filmmaking, and the best movie of 2017 (that I didn’t even get to see until 2 weeks into 2018). I deeply cherished each delectable second. I also promise never to doubt PTA again. For anyone out there like me who saw this as a potentially more low-key, maybe even a little derivative Paul Thomas Anderson project, fear not. This shit is absolutely nuts, in the best, most PTA way, and weirdly one of the funniest…
Someone in my theater screening said "Well that guy was an asshole" when the credits rolled and then immediately proceeded to turn on his iPhone. I don't know, man. Something about that image is still fucking with me.