🎟 Brice Watts 🎟
🎟 Brice Watts 🎟

🎟 Brice Watts 🎟

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  • A Ghost Story

    A Ghost Story

    β˜…β˜…β˜…β˜…Β½

    β€œI just had the piano tuned.”
    -C

    β€œThat was a year ago.”
    -M

  • John Wick: Chapter 3 - Parabellum

    John Wick: Chapter 3 - Parabellum

    β€œHey, John, that was a pretty good fight, huh?”

    Near the end of the first act a battered and bruised Wick is getting his first chance to breath without the incoming threat of combat, walking through the backs stage dressing rooms of some kind of ballet-assassin school. We pause for a moment as John glances over as one of the trainees rips her chewed up toenail off her bloody, marred toe.

    Art is pain.

    Stahelski and company put their blood,…

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  • Big Time Adolescence

    Big Time Adolescence

    I feel like I get the appeal with Pete Davidson now which had never really clicked with me until this.

  • The Invisible Man

    The Invisible Man

    The Invisible Man by way of Cucker’s Gaslight with notes of My Name Is Julia Ross. Whannell direction is stellar here. Very patient and creates a tremendous atmosphere that would feel cheeky in less deft hands.

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  • Me and Earl and the Dying Girl

    Me and Earl and the Dying Girl

    β˜…β˜…

    If you are a wanna-be-cinephile between the ages of 15-21 with a stack of the most basic Criterions, this is the film for you.

  • Collateral

    Collateral

    β˜…β˜…β˜…β˜…β˜…

    No one films night time cityscape like Mann. Easily one of Mann's best films that is powered by several stellar supporting performances from Foxx, Ruffalo, Smith, Bardem, and others, but the truly elevating performance is from Cruise, as the electrifying hitman Vincent.