me: lmao a pig who's a pilot
Miyazaki: sending people off to war likely either kills them or creates a chasm between them and society they can never fully get over.
me: lol *oink oink*
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Porco Rosso 1992
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Meet Me in St. Louis 1944
Was sorta just mildly engaged for the first half hour or so and then it gets to the turning out the lamps sequence and yep this is why cinema exists.
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Dark Waters 2019
Todd Haynes took what could easily be a vegetables movie and made it tense, urgent, and riveting without feeling overly histrionic and you fools ignored it or wrote it out as authorless. For shame!
PS: what is up with Bill Camp's eyebrows in this
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Detroit 2017
Ooof...
Look, I'm really not the person to talk about the major issues of this film, so I'll keep this brief (you can read what some smarter people wrote about it here, here, and here). Kathryn Bigelow is still a technically exceptional filmmaker who can make a damn gripping movie, but Mark Boal's script depicts the whole situation as a horror film with almost no context of how it got to that point (yes the animation at the beginning helps…