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  • Hannibal

    Hannibal

    ★★★★★

    Hilarious, horrifying... the ending freeze frame is the stuff of nightmares!

  • The Thing

    The Thing

    ★★★★★

    Essential social distancing-core

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  • Hereditary

    Hereditary

    ½

    Hereditary, Ari Aster's hilariously self assured debut, is fundamentally about nothing. Aster indulges in leering pornographic nihilism, making this the perfect film for art house audiences who don't actually like horror films.

  • Widows

    Widows

    The vacuousness of Widows is apparent from the opening scene - McQueen communicates immediately through the editing that he has no interest in the heist film, of generating any real sense of genuine tension, or examining anything below the surface of his checklist of social issues. I think it becomes pretty clear why - he doesn't have an understanding of how to shoot action or suspense, so he settles for laborious, self conscious long takes in the form of fragmented…