Writer & co-curator @ thebigship.org
at no point of this film did i want it to end.
cooper raiff is out to destroy me. shithouse came out right as i moved into university housing, and this drops a month after i graduated.
dakota johnson’s milf era is becoming a dangerous obsession of mine
idk why at the halfway point i thought this wouldn’t break my heart, but ofc it did. a gentle break, one that it caresses afterwards and — while it doesn’t fix it…
reichardt is truly the master of the reaction shot where the character isn’t saying anything but the shot holds on their face just long enough that you fill in the blank in your head… and the character never says that thing either, there’s never that big moment of emotional outpouring. she just confidently lets it sit.
i fucking ADORE the way she makes films