Can't say this quite lived up to the heights of Rear Window - just a little too talky, with too much focus on Ray Milland's cold calculating and not enough on Grace Kelly, who is now my wife. Got a some zoneout (sorry!) during Milland's careful setup of his scheme, but predictably liked it a lot more after the scheme turns to shit. Not much more than a solid murder mystery for me, but that's enjoyable too.
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