Chris has written 10 reviews for films rated ★★ .

  • Suicide Club

    Suicide Club


    The core concept here is an interesting one, bringing together various genre elements to form a dark satire on the despondency affecting young people in modern-day Japan and the nefarious influence that omnipresent pop culture can have on their psyche. The startling opening sequence alone presents numerous avenues to explore, so it's unfortunate that the promise this material offers is never fully realised.

    Where it stumbles most is that it doesn't quite work as either a horror film or a…

  • Rebel Without a Cause

    Rebel Without a Cause


    Sorry to say it but this is one of the classics that I think is rather weak overall. There's no denying the natural magnetism of James Dean and he convincingly depicts his character's struggles, but nothing else leaves much of an impact.

    It attempts to capture that excessively emotional phase of adolescence where small issues seem gargantuan, wayward feelings are natural and generational discontent is escalating but leans so heavily into bland melodrama that it can't offer the cutting insights…

  • Motherless Brooklyn

    Motherless Brooklyn


    For a noir mystery I'm surpised by how devoid of personality this is. It's not dark or complex or even comedic, it's just middle-of-the-road banality. There's so much potential to make this story visually interesting and instead it's shot like a made for TV movie (even more baffling when you have Dick Pope as cinematographer); the extremely smooth visual style does not suit the material at all, whilst the compositions and editing are decidedly insipid. There is an engaging premise…

  • Babyteeth



    Tries to be naturalistic, heartfelt and broadly quirky all at once which results in it feeling like a hodgepodge of random scenes instead of a coherent narrative. It often seems to be solely concerned with ticking off the young adult genre checklist; we get the ill main character, oddball romantic interest, troubled parents, totally unnecessary title cards, whimsical use of music and absurd situations. The performances are all good and the visuals are appealing, but the lack of dramatic heft and dearth of effective humour means it doesn't really work.

  • Happiest Season

    Happiest Season


    This is one of those movies that concentrates on the wrong storyline. Kristen Stewart and Aubrey Plaza are both supremely charming, their characters are layered and I was actually invested in the relationship that was developing between them. Instead we spend most of the running time watching Stewart's absurdly tolerant character going through emotional turmoil caused by the gaslighting actions of her narcissistic girlfriend (who played with all the charisma of a lobotomy patient by Mackenzie Davis); as a result,…

  • Ma Rainey's Black Bottom

    Ma Rainey's Black Bottom


    Another play adaptation that suffers from the same problems that usually plague these transitions to the silver screen; lacklustre direction, thin characterisation, clunky editing and stilted dialogue. This does boast some good music as well as solid performances from Chadwick Boseman and Viola Davis who try their best with the limited material. Still, nothing here convinces me that this ever needed to leave the stage.

  • Frozen II

    Frozen II


    Frozen II is yet another belated sequel that struggles to justify its existence. It has some positives as the animation is beautiful, the songs are catchy and I will give it props that it builds on the world that was previously established.

    However, the narrative structure is messy and so much of the storytelling involves bland fantasy rigmarole that gets tiresome quickly. Elsa is the only character to get any development as everyone else is reduced to one trait only…

  • Batman Returns

    Batman Returns


    Batman Returns sees Tim Burton dive head first into gothic expressionism to craft a sequel that is much more to his sensibilities. But that is the main problem. This film is supposed to be about Batman, his name is in the title, yet he's barely the focus and the whole thing comes off more like a pity party for a bunch of grotesque caricatures.

    I can understand the appeal. This kind of bizarre mainstream film rarely gets made, especially in…

  • Batman



    The cultural influence of Tim Burton's Batman cannot be denied, but it is an ideal example of style over substance. Both plot and character are thrown out the window in favour of things that look 'cool' but serve no purpose beyond that.

    The problems start with the flat screenplay by Sam Hamm and Warren Skaaren (did your name have to rhyme to write on this?). I'm willing to give comic book movies leeway in this area, but the film's lack…

  • The Devil All the Time

    The Devil All the Time


    A grim southern gothic that bites off more than it can chew. The story itself is messy and feels like a number of different stories awkwardly mashed together. There is little narrative focus which results in plotlines starting then stoping with little rhyme or reason, making it difficult to get invested. It tries to craft some thoughts on the repercussions of violence and religious corruption but it doesn't appear to have anything to say beyond surface-level statements.

    The cast is…