me: where am i
jigsaw: hello Wesley. for years you said "ijbol". but will you still be bursting out laughing when you play my game. for starters ive put your feet in an air fryer
the reason why every movie/tv show looks dark now is because gaspar noe already stole all the gaffers
a film that fully utilizes the inherent hotness of dev patel
one of the most laid back and effortlessly cozy films around. pro tip: enjoy this with a nice cup of tea like i did.
if they ever made a studio romantic comedy this funny or sexy or intelligent or well made again all of america would sink into the ocean and sharks would be eating our corpses
"every time she closed the door behind her, i felt as if my life had stopped."
employs a variety of narrative and technological tricks to perfectly capture the unreliability of memory and the pain of lost love thats foundations are built on illusion.
somehow doesn't feel 3 hours long but at the same time i wanted it to go on forever. just one of those movies you know has to end but you don't want it to.
if im at a park and i come across a group of kids staring at each other and the ground is shifting under them i am simply walking in the other direction
at one point a character asks "is this place safe?" after she walks into a building with a massive open roof during a thunderstorm surrounded by thousands of charred bodies
i’m fairly confident in calling mark jenkins latest feature Enys Men one of the best films of the decade, so i knew visiting his debut feature was a priority. just as i hoped, this is another from-the-beyond experiment in audiovisual excellence. by far jenkins greatest asset as a filmmaker is his films possess a true and definite texture, something that activates the senses. i cant think of another filmmaker working right now who has so expertly utilized (and been this passionate about) the look and feel inherent in 16mm film.