Gemini Man

Mere months before the end of the decade and Ang decides to drop this absolute fire that completely changes the stakes for American action cinema as now *the* interface in which the antagonisms between the body/body politic (the action/active subject) and the systematic/institutional flare up into the visibility of a 'fighting' discourse. Surveillance, cloning, simulation; the deeply rooted fears of epistemological/metaphysical asymmetry that are percolating within the scientificity of power-knowledge are militarized and weaponized back onto the disobedient (read: unpredictable, unalgorithmized) world.

The defining image is of clone-Will Smith licking an ice cream cone while watching a staged Yemen 'counter-insurgency.'

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